Thursday, November 23, 2017

Get out of the car and do not need to wear the reflective vest

In this second season, the picturesque Xavier Sale is demonstrating a fantastic progression. Now his colorful Americans have gained in phosphorescence and luminosity. In the event of a nighttime car breakdown, they are ideal: you get out of the car and do not need to wear the reflective vest. The themes he develops are also presenting them with a much more impressive exhibition punch. His love for being original and eater to the staff advances.

In the first installment, he launched the question: Does Leo Messy charge too much. It did not finish defining itself or clarifying it, but it launched a colossal idea: if 200 million people in the world see and enjoy every goal that Leo does, they should pay one euro each, just as when they enjoy the pleasure of having a cup of coffee. That is, Messy should enter, on average, 200 million Euros a week. Oh! I do not know if the idea is going to prosper, but certainly in Leo's house reigns considerable joy.

This week, this iridescent economist has explained to us the truth of what happened between David and Goliath. It turns out that Goliath suffered gigantism. He was huge with wear safety clothing, heavy, and not very agile, a brain tumor that imprisoned his optic nerve. He was more myopic than Mango. He thought that they would fight in a hand-to-hand fight, but the cunning David changed the rules: instead of fighting in infantry plan, he did it as an artilleryman. Goliath received the stone practically without knowing who was in front of him.

Oh! It is an ingenious theory. Room Martin in yellow vest said he had learned it from Malcolm Glad well. I know the books of this journalist, currently in 'The New Yorker'. It has a barbarous success. His hypothesis on 'David & Goliath', which has been best-selling book, presented, in 2013, at the Ted Salon in New York. His intervention is on YouTube. It takes four million visits. The prodigious thing is how Sale has memorized it. It has mimicked even Glad well’s intonation and pauses.

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